"Israel In Egypt, HWV 54 / Moses' Song: 34. The depths have cover'd them" by George Frideric Handel, Alastair Ross, James Vivian, Angela East, Brandenburg Consort, Roy Goodman, Choir of King's College, Cambridge, Stephen Cleobury had its release date on April 11, 2000. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Israel In Egypt, HWV 54 / Moses' Song: 34. The depths have cover'd them's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge, Brandenburg Consort, Stephen Cleobury's "Handel: Israel in Egypt" album is number 6 out of 48. On top of that, United Kingdom appears to be the country where this track was created. Israel In Egypt, HWV 54 / Moses' Song: 34. The depths have cover'd them is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Israel In Egypt, HWV 54 / Moses' Song: 34. The depths have cover'd them by George Frideric Handel, Alastair Ross, James Vivian, Angela East, Brandenburg Consort, Roy Goodman, Choir of King's College, Cambridge, Stephen Cleobury to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in E Minor, Op. 6, No. 3, HWV 321: II. Andante | George Frideric Handel, Gerhart Hetzel, Kurt-Christian Stier, Fritz Kiskalt, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | D Major | 4 | 10B | 129 BPM | ||
Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: IV. Adagio | George Frideric Handel, Gerhart Hetzel, Kurt-Christian Stier, Fritz Kiskalt, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | B♭ Major | 0 | 6B | 74 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |