"Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: IV. Adagio" by George Frideric Handel, Gerhart Hetzel, Kurt-Christian Stier, Fritz Kiskalt, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter had its release date on January 1, 1996. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Karl Richter, Münchener Bach-Orchester's "Handel: Concerti Grossi opp. 3 & 6" album is number 14 out of 93. On top of that, Germany appears to be the country where this track was created. Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: IV. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: IV. Adagio by George Frideric Handel, Gerhart Hetzel, Kurt-Christian Stier, Fritz Kiskalt, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In D Major, TWV 55:D15: IV. Rondeau | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 1 | 10B | 146 BPM | ||
Concerto grosso in G Minor, Op. 6 No. 8 "Fatto per la Notte di Natale": IV. Vivace | Arcangelo Corelli, I Musici, Felix Ayo, Roberto Michelucci, Walter Gallozzi, Anna Maria Cotogni, Carmen Franco, Alfonso Ghedin, Enzo Altobelli, Mario Centurione, Maria Teresa Garatti | G Minor | 1 | 6A | 131 BPM | ||
Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: III. Largo | Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | D♭ Minor | 2 | 12A | 117 BPM | ||
Violinkonzert G-moll Bwv 1056 - 2. Largo - Arrangement Für Flöte Und Orchester | Philippe Racine, English Chamber Orchestra, Simon Preston | B♭ Major | 1 | 6B | 99 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Concerto grosso in F, Op. 3, No. 4bis: 4. Allegro | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
5 Polonaisen Wq. 190: 5. Polonaise in D major | Carl Philipp Emanuel Bach, Ensemble Eduard Melkus, Eduard Melkus | F♯ Minor | 0 | 11A | 110 BPM | ||
Prelude & Fugue in A Minor, WoO 9: I. Prelude | Johannes Brahms, Konstantin Volostnov | B♭ Minor | 1 | 3A | 73 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": II. Larghetto staccato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D Major | 1 | 10B | 94 BPM |