"Invocation, Op. 19, No. 2" by Gustav Holst, Julian Lloyd Webber, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 1, 1994. Since Invocation, Op. 19, No. 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 13 in English Idylls by Julian Lloyd Webber, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Invocation, Op. 19, No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Invocation, Op. 19, No. 2 by Gustav Holst, Julian Lloyd Webber, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 211 BPM | ||
A Somerset Rhapsody, Op. 21, No. 2 | Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | B Minor | 0 | 10A | 65 BPM | ||
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM |
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