"Tassilone: "Sposa, mancar mi sento...Deh non far colle tue lagrime"" by Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis had its release date on January 1, 2012. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The track order of this song in Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis's "Mission (Deluxe Version)" album is number 8 out of 27. Tassilone: "Sposa, mancar mi sento...Deh non far colle tue lagrime" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tassilone: "Sposa, mancar mi sento...Deh non far colle tue lagrime" by Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'incoronazione di Poppea, SV 308 / Act 3: Pur ti miro | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 0 | 9B | 78 BPM | ||
Altri canti d'amor | Claudio Monteverdi, Alessandro Carmignani, Paolo Costa, Marco Scavazza, Delitiæ Musicæ, Marco Longhini | D♭ Major | 2 | 3B | 120 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | E♭ Minor | 1 | 2A | 121 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
La fida ninfa, RV 714, Act II, Scene 3: Recitativo (Narete, Oralto) | Antonio Vivaldi, Jean-Christophe Spinosi, Lorenzo Regazzo, Ensemble Matheus, Topi Lehtipuu | E Minor | 1 | 9A | 69 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 2: "Vi ricorda, o boschi ombrosi" (Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 3 | 2B | 139 BPM | ||
St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott" | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | ||
Qui Diligit Mariam | Agostino Steffani, Coro della Radiotelevisione Svizzera, Salvo Vitale, Cecilia Bartoli, Franco Fagioli, I Barocchisti, Diego Fasolis | G Major | 2 | 9B | 76 BPM | ||
Evening Hymn, Z.193 | Henry Purcell, Emma Kirkby, Anthony Rooley, Christopher Hogwood | E Minor | 1 | 9A | 71 BPM |