The Wave Quartet, Johann Sebastian Bach, Christoph Sietzen, Vladimir Petrov, Emiko Uchiyama, Bogdan Bacanu's 'The Art of Fugue - Contrapunctus XIII - Alio modo. Fuga a 2 Clav.' came out on June 10, 2011. The duration of The Art of Fugue - Contrapunctus XIII - Alio modo. Fuga a 2 Clav. is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. The Art of Fugue - Contrapunctus XIII - Alio modo. Fuga a 2 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Senza Ripieno". In this album, this song's track order is #16. Based on our statistics, The Art of Fugue - Contrapunctus XIII - Alio modo. Fuga a 2 Clav.'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Art of Fugue - Contrapunctus XIII - Alio modo. Fuga a 2 Clav. by The Wave Quartet, Johann Sebastian Bach, Christoph Sietzen, Vladimir Petrov, Emiko Uchiyama, Bogdan Bacanu having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: III. Andante (Transcr. for Mandolin and Continuo by Avi Avital) | Johann Sebastian Bach, Avi Avital, Ophira Zakai, Ira Givol, Shalev Ad-El | G Major | 0 | 9B | 109 BPM | ||
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, LSO Wind Ensemble | E♭ Major | 0 | 5B | 65 BPM | ||
Concerto for Marimba Quartet "Gotan": II. Serenity | Emmanuel Séjourné, The Wave Quartet, Romanian National Symphony Orchestra, Cristian Mandeal | E Minor | 1 | 9A | 80 BPM | ||
The Wandering Kind (arr. B. Bacanu, V. Petrov, C. Sietzen and Emiko Uchiyama for 4 marimbas) | Josh Groban, The Wave Quartet | A♭ Major | 2 | 4B | 97 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
12 Fantasias for Flute: No. 1 in A Major, TWV 40:2 | Georg Philipp Telemann, Seiya Ueno | A Major | 1 | 11B | 74 BPM | ||
Oblivion (arr. B. Bacanu, V. Petrov, C. Sietzen and Emiko Uchiyama for 4 marimbas) | Astor Piazzolla, The Wave Quartet | C Minor | 0 | 5A | 63 BPM | ||
The Art of Fugue - Contrapunctus I | The Wave Quartet, Johann Sebastian Bach, Bogdan Bacanu, Emiko Uchiyama, Christoph Sietzen, Vladimir Petrov | D Minor | 3 | 7A | 107 BPM | ||
Capriccio for Solo Viola, Op. 55 | Henri Vieuxtemps, Antoine Tamestit | C Minor | 0 | 5A | 126 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM |
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