"Alma Redemptoris Mater" by Aires Fernandez, The Cambridge Taverner Choir, Owen Rees was released on June 1, 1993. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Cambridge Taverner Choir, Owen Rees's "Music from Renaissance Portugal" album is number 15 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Alma Redemptoris Mater's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alma Redemptoris Mater by Aires Fernandez, The Cambridge Taverner Choir, Owen Rees to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa ex B: XXI. Amen - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM | ||
Dominus Dixit | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
O Altissime | Anonymous, Cappella Mariana, Vojtěch Semerád | D Minor | 2 | 7A | 87 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Exsultet (Sung in English) | Anonymous, Gregorian Chant, Westminster Cathedral Choir, Simon Johnson | D Major | 2 | 10B | 70 BPM | ||
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | D Minor | 0 | 7A | 89 BPM | ||
Cantique de Jean Racine | Escolania de Montserrat, Eduard Vila i Perarnau, Gabriel Fauré, Joaquim Piqué i Calvo | C Major | 2 | 8B | 121 BPM | ||
Petite messe solennelle: V. Gloria. Et in terra pax hominibus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | G Major | 1 | 9B | 102 BPM | ||
O Ecclesia, BN 64 | Hildegard von Bingen, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
Sancte Michael | Timothy A. Helisek, Moscow Bow Tie Choir, Vladimir Podgoretsky | C Minor | 1 | 5A | 87 BPM |
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