"Missa ex B: XXI. Amen - Live at Melk Abbey, 5/30/2004" by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl was released on April 19, 2024. With Missa ex B: XXI. Amen - Live at Melk Abbey, 5/30/2004 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 29 in Biber: Missa ex B (Live at Melk Abbey, 5/30/2004) by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Missa ex B: XXI. Amen - Live at Melk Abbey, 5/30/2004's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa ex B: XXI. Amen - Live at Melk Abbey, 5/30/2004 by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, JS: O ewiges Feuer, o Ursprung der Liebe, BWV 34: No. 3, Aria. "Wohl euch, ihr auserwählten Seelen" | Johann Sebastian Bach, Gustav Leonhardt, Leonhardt-Consort, Nikolaus Harnoncourt, Concentus Musicus Wien | A♭ Major | 0 | 4B | 84 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: And believed the Lord and His servant Moses (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto "Amen" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pectus: Concerto a 3 voci "Sicut modo geniti infantes rationabiles" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | C Major | 2 | 8B | 138 BPM | ||
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Motettum de tempore: III. Recitativo. Inter tanta pericla | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Vespeare cum ordinariis psalmis: Virgam virtutis tuae | Jan Josef Ignac Brentner, Inégal Ensemble, Adam Viktora, Prague Baroque Solists | B Major | 2 | 1B | 105 BPM | ||
Ballo del Granduca | Anonymous, Luigi Accardo | A Minor | 2 | 8A | 129 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutare | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM |
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