"Symphony of Psalms: III. Alleluia, laudate Dominum" by Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin was released on January 1, 1999. Symphony of Psalms: III. Alleluia, laudate Dominum appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Stravinsky: Symphony of Psalms". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Symphony of Psalms: III. Alleluia, laudate Dominum is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony of Psalms: III. Alleluia, laudate Dominum by Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Songs from William Shakespeare: Music to Hear | Igor Stravinsky, Ann Murray, Ensemble Intercontemporain, Pierre Boulez | A Major | 0 | 11B | 124 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Scheherazade, Op. 35: IV. Allegro molto | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 79 BPM | ||
Götterdämmerung, WWV 86D / Prologue: Einleitung zum Vorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 80 BPM | ||
Ave Maria | Igor Stravinsky, Gregg Smith Singers, Robert Craft | B♭ Major | 0 | 6B | 109 BPM | ||
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 110 BPM | ||
Messa da Requiem: II. Dies irae | Giuseppe Verdi, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 77 BPM | ||
Requiem: III. Tuba Mirum | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea | D♭ Minor | 2 | 12A | 97 BPM | ||
Schoenberg: Gurre-Lieder, Pt. 1: "O, wenn des Mondes Strahlen" (Tove) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | B Major | 1 | 1B | 116 BPM | ||
Symphony of Psalms: III. Psalm 150 (entire) | Igor Stravinsky, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | B♭ Major | 0 | 6B | 109 BPM |
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