Richard Allison, Howard Bass, Baltimore Consort made "De la trumba" available on January 1, 1991. The duration of De la trumba is about 3 minutes long, at 3:27. Based on our data, "De la trumba" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 20 in Chamber Music (Renaissance) – D'Estree, J. / Johnson, J. / Ravenscroft, T. / Allison, R. / Morley, T. / Byrd, W. / Dowland, J. by Baltimore Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, De la trumba's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of De la trumba by Richard Allison, Howard Bass, Baltimore Consort is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Františkovi Makovičkovi do usínání | Pavel Jurkovič, Hana Blažíková, Tomáš Král, Kateřina Ghannudi, Hana Fleková | G Major | 1 | 9B | 79 BPM | ||
Recercadas del Trattado de Glosas: Recercada segunda sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 114 BPM | ||
Sonata in G Minor, Op. 1 No. 6: II. Gigue | Giovanni Zamboni, Andreas Arend | F♯ Minor | 1 | 11A | 116 BPM | ||
Tiento (Segundo Tono) | Alonso Mudarra, Hopkinson Smith | F♯ Minor | 1 | 11A | 48 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM | ||
Recercada Passamezzo | Diego Ortiz, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 116 BPM | ||
Andantino [ms. 99] – Valtz [ms. 100] – Trio [ms. 101] – Andantino [ms. 102] | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Courante | Edward Martin and Paul Berget | A♭ Minor | 0 | 1A | 60 BPM | ||
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM |
Section: 0.7093009948730469
End: 0.7130148410797119