Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies made "Recercadas del Trattado de Glosas: Recercada segunda sobre el canto Ilano "La Spagna"" available on March 20, 2020. With Recercadas del Trattado de Glosas: Recercada segunda sobre el canto Ilano "La Spagna" being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Ortiz: Trattado de Glosas". In this album, this song's track order is #3. In terms of popularity, Recercadas del Trattado de Glosas: Recercada segunda sobre el canto Ilano "La Spagna" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Recercadas del Trattado de Glosas: Recercada segunda sobre el canto Ilano "La Spagna" by Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recercada Quarta La gamba from 1553 | Diego Ortiz, Bastacho, Brian Butts | F Major | 1 | 7B | 112 BPM | ||
The English Dancing Master: St. Paul's steeple | John Playford, The Broadside Band, Jeremy Barlow | G Minor | 1 | 6A | 98 BPM | ||
Ruggiero | Giovanni Battista Vitali, Les Basses Réunies, Bruno Cocset | A Major | 3 | 11B | 132 BPM | ||
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting | Tobias Hume, Matteo Cicchitti, Musica Elegentia | D♭ Minor | 0 | 12A | 94 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Gagliarda I | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Harke, Harke | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
Suite for Viol in D Major, Op. 3 No. 6: III. Courante | Carolus Hacquart, Guido Balestracci, Nicola Dal Maso, Rafael Bonavita, Massimiliano Raschietti | A♭ Minor | 1 | 1A | 131 BPM | ||
Ricercar 6 in G Major | Domenico Gabrielli, Bruno Cocset | F♯ Major | 1 | 2B | 61 BPM |
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