"Sonata in C Major for bassoon and continuo, FaWV N:C 1: I. Largo" by Johann Friedrich Fasch, Epoca Barocca was released on January 1, 2007. With this song being about 5 minutes long, at 4:44, "Sonata in C Major for bassoon and continuo, FaWV N:C 1: I. Largo" by Johann Friedrich Fasch, Epoca Barocca is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 25 in Fasch: Bassoon Sonata / 3 Quartets / 2 Trios / Canon by Johann Friedrich Fasch, Epoca Barocca. Based on our statistics, Sonata in C Major for bassoon and continuo, FaWV N:C 1: I. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata in C Major for bassoon and continuo, FaWV N:C 1: I. Largo by Johann Friedrich Fasch, Epoca Barocca is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Sonata In E Minor For Violin And Continuo: Moderato | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | E Minor | 2 | 9A | 103 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Overture (Suite) for Orchestra in G minor, FWV k: G3: Air: Un poco allegro | Johann Friedrich Fasch, Kammerorchester Basel | F♯ Minor | 2 | 11A | 126 BPM | ||
Flute Concerto in C Minor, QV 5:38: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 1 | 3A | 95 BPM | ||
Symphony in E-Flat Major, W. I/10: II. Andante assai | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | C Minor | 1 | 5A | 171 BPM | ||
Concerto grosso No. 10 in F Major: II. Allegro | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | E Major | 2 | 12B | 70 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement | Michel Blavet, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 104 BPM |
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