"Tosca: Tosca, Act II: Vissi d'arte" by Giacomo Puccini, Mirella Freni, Munich Radio Orchestra, Kurt Peter Eichhorn was released on May 3, 2011. The duration of Tosca: Tosca, Act II: Vissi d'arte is about 3 minutes long, at 3:20. Based on our data, "Tosca: Tosca, Act II: Vissi d'arte" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mirella Freni, Kurt Peter Eichhorn, Vladimir Ghiaurov's "Great Singers Live: Mirella Freni" album is number 4 out of 11. In terms of popularity, Tosca: Tosca, Act II: Vissi d'arte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tosca: Tosca, Act II: Vissi d'arte by Giacomo Puccini, Mirella Freni, Munich Radio Orchestra, Kurt Peter Eichhorn to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse: Aria "Ombra mai fù" (Atto I, scena 1) | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl | E Major | 1 | 12B | 107 BPM | ||
À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Les Contes d'Hoffmann / Act 2: "Les oiseaux dans la charmille" | Jacques Offenbach, Edita Gruberova, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | A♭ Major | 1 | 4B | 178 BPM | ||
Madame Butterfly - Grosser Querschnitt: Eines Tages seh'n wir uns wieder | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | B Minor | 7 | 10A | 112 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
Turandot: Act II Scene 2: In questa reggia | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM |
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