- BPM
- 143
- Key
- F Major
- Camelot
- 7B
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin) - Bavarian State Orchestra, Wolfgang Sawallisch Information
- Acousticness
- 97%
- Danceability
- 40%
- Energy
- 23%
- Instrumentalness
- 1%
- Liveness
- 29%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 24%
- Popularity
- 8%
- Loudness
- -14.964 dB
Summary
Bavarian State Orchestra, Wolfgang Sawallisch's 'Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin)' came out on 2004. The duration of Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin)" is a single. Based on our statistics, Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin) BPM
The tempo marking of Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin) by Bavarian State Orchestra, Wolfgang Sawallisch is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin) Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Traviata / Act 2: "Alfredo, Alfredo, di questo core" | Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Sherrill Milnes, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Carlos Kleiber, Bavarian State Orchestra | E♭ Major | 2 | 5B | 78 BPM | |
 | Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | |
 | Die Fledermaus / Act 2: "Genug damit, genug" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Hermann Prey, Benno Kusche, Bernd Weikl, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 3 | 9B | 82 BPM | |
 | Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": 4. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Minor | 3 | 8A | 121 BPM | |
 | Bizet: Carmen, WD 31, Act 1: "Voici la cloche qui sonne" (José, Chœur) | Georges Bizet, Giuseppe Sinopoli, Chor der Bayerischen Staatsoper, Thomas Moser, Bavarian State Orchestra | G Major | 0 | 9B | 91 BPM | |
 | Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | |
 | Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | |
 | Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | |
| La Traviata / Act 2: "Invitato a qui seguirmi" | Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 3 | 4B | 91 BPM | |
| Die Fledermaus / Act 2: Nr.7 Couplet: "Ich lade gern mir Gäste ein" | Johann Strauss II, Hermann Prey, Ivan Rebroff, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 134 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9495832920074463
End: 0.9547224044799805