Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber's 'La Traviata / Act 2: "Invitato a qui seguirmi"' came out on January 1, 1977. The duration of La Traviata / Act 2: "Invitato a qui seguirmi" is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. La Traviata / Act 2: "Invitato a qui seguirmi"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber. The song's track number on the album is #5 out of 38 tracks. In terms of popularity, La Traviata / Act 2: "Invitato a qui seguirmi" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La Traviata / Act 2: "Invitato a qui seguirmi" by Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Traviata / Act 2: "Invitato a qui seguirmi" being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse, HWV 40, Act I Scene 8: Aria. Se cangio spoglia (Amastre) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
Ponchielli : La Gioconda : Act 2 "Cielo e mar" [Enzo] | Amilcare Ponchielli, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin | E♭ Major | 3 | 5B | 146 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM | ||
Serse, HWV 40, Act II Scene 4: Aria. Se brameate d'amar, chi vi sdegna (Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" | Johann Strauss II, Julia Varady, Ferry Gruber, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 85 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
Wir winden dir den Jungfernkranz (Der Freischütz: Chor der Brautjungfern, 3.Akt) - 1990 Remastered Version | Carl Maria von Weber, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger | C Major | 1 | 8B | 106 BPM | ||
Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart | E Major | 4 | 12B | 112 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): A un dottor della mia sorte (Bartolo) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E♭ Major | 3 | 5B | 138 BPM | ||
Il barbiere di Siviglia / Act 2: "Cessa di più resistere" - "Insomma, io ho tutti i torti.." (Conte, Coro / Bartolo, Figaro, Basilio) | Gioachino Rossini, Frank Lopardo, Plácido Domingo, Lucio Gallo, Ruggero Raimondi, Chamber Orchestra of Europe, Claudio Abbado, Members of Coro del Gran Teatro La Fenice, Marco Ghiglione | B♭ Major | 1 | 6B | 116 BPM |
Section: 0.737809419631958
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