Gioachino Rossini, Christa Ludwig, Gerald Moore's 'Rossini: La regata veneziana: I. Anzoleta avanti la regata' came out on March 9, 2018. The duration of Rossini: La regata veneziana: I. Anzoleta avanti la regata is about 3 minutes long, at 3:29. Based on our data, "Rossini: La regata veneziana: I. Anzoleta avanti la regata" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 164 in the song's album "The Complete Recitals on Warner Classics". In this album, this song's track order is #70. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rossini: La regata veneziana: I. Anzoleta avanti la regata is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rossini: La regata veneziana: I. Anzoleta avanti la regata by Gioachino Rossini, Christa Ludwig, Gerald Moore having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
L'italiana in Algeri / Act 2: Ti presento di mia man | Gioachino Rossini, Giuliana Tavolaccini, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | D Major | 3 | 10B | 89 BPM | ||
On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | E Major | 2 | 12B | 99 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Il Barbiere di Siviglia: Finora in questa camera - Ehi, di casa! | Gioachino Rossini, Cesare Sterbini, Hertha Glaz, Giuseppe Di Stefano, Salvatore Baccaloni, Lily Pons, Jerome Hines, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM |
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