"12 Poems of Emily Dickinson: 12 Poems of Emily Dickinson: No. 5. Heart, we will forget him" by Arleen Auger was released on January 1, 2000. The duration of 12 Poems of Emily Dickinson: 12 Poems of Emily Dickinson: No. 5. Heart, we will forget him is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. 12 Poems of Emily Dickinson: 12 Poems of Emily Dickinson: No. 5. Heart, we will forget him's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 38 in Auger, Arleen: Arias by Arleen Auger. 12 Poems of Emily Dickinson: 12 Poems of Emily Dickinson: No. 5. Heart, we will forget him is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Poems of Emily Dickinson: 12 Poems of Emily Dickinson: No. 5. Heart, we will forget him by Arleen Auger is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Gloria in D, R.589: 6. Domine Deus, Rex Coelestis | Antonio Vivaldi, Judith Nelson, Academy of Ancient Music, Simon Preston | B Major | 0 | 1B | 86 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, Dame Janet Baker, City Of Birmingham Symphony Orchestra | A♭ Major | 0 | 4B | 65 BPM | ||
Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Salve Regina HWV 241: Eia ergo, advocata nostro | George Frideric Handel, Arleen Auger, Orchestra of Westminster Abbey, Simon Preston | A Major | 2 | 11B | 97 BPM | ||
Belshazzar / Act 3: "I will magnify thee" | George Frideric Handel, Arleen Auger, James Bowman, The English Concert, Trevor Pinnock, The English Concert Choir | A♭ Major | 2 | 4B | 87 BPM | ||
Die erste Walpurgisnacht, Op. 60: Konnt ihr so verwegen handeln (Alto, Female Chorus) | Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra, Annelies Burmeister, MDR Leipzig Radio Chorus | G Minor | 1 | 6A | 69 BPM |
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