"Plange, Op. 10, No. 1" by Friedrich Niggli, Regula Mühlemann had its release date on November 8, 2019. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Plange, Op. 10, No. 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Regula Mühlemann's "Lieder der Heimat / Songs from Home" album is number 15 out of 22. Plange, Op. 10, No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Plange, Op. 10, No. 1 by Friedrich Niggli, Regula Mühlemann to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Minor: Kyrie: Kyrie I | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D Major | 2 | 10B | 105 BPM | ||
Mass in D Major, Op. 86, B. 175: Kyrie. Andante con moto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Marcela Machotkova, Stanislava Škatulová, Oldrich Lindauer, Dalibor Jedlicka | D Major | 2 | 10B | 169 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 9, "Am Donaustrande" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | E Major | 1 | 12B | 142 BPM | ||
Haugtussa, Op. 67: III. Blåbaer-li | Charlotte Hoather, George Todica | F Major | 2 | 7B | 92 BPM | ||
Stabat Mater, P. 77: III. O quam tristis | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Gloria, RV 588, N°1: Gloria | Antonio Vivaldi, Chorale Roger Wagner, Orchestre de la Société des Concerts du Conservatoire, Roger Wagner | D Major | 3 | 10B | 122 BPM | ||
Two Gentlemen of Verona - Incidental Music: Who is Sylvia? | Henry Rowley Bishop, Susan Gritton, Andrew King, William Purefoy, Roderick Williams, Simon Grant, Musicians Of The Globe, Philip Pickett | E♭ Major | 1 | 5B | 77 BPM | ||
Christ lag in Todes Banden, BWV 4: III. Duetto "Den Tod niemand zwingen kunnt" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan, Maarten Engeltjes | E Major | 4 | 12B | 101 BPM | ||
Das Halleluja der Schopfung (The Hallelujah of Creation): Heilig! Heilig! Heilig! (Chorus) | Friedrich Ludwig Aemilius Kunzen, Susanne Elmark, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Peter Marschik | C Minor | 0 | 5A | 83 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM |