"Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 9, "Am Donaustrande"" by Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt had its release date on 2003. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 9, "Am Donaustrande"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 71 in Brahms Lovesongs by Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 9, "Am Donaustrande"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 9, "Am Donaustrande" by Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
Messe G-Dur D 167 - Ferdinand Schubert Fassung: Kyrie | Franz Schubert, Chor und Orchester von St. Augustin | A♭ Major | 3 | 4B | 124 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Fidelio, Op. 72, Act I: Mir ist so wunderbar | Ludwig van Beethoven, Marek Janowski, Dresdner Philharmonie, Lise Davidsen, Christina Landshamer, Georg Zeppenfeld, Cornel Frey | E Major | 2 | 12B | 118 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Agnus Dei | Chamber Choir Of Europe, Isabelle Müller-Kant, Württembergische Philharmonie Reutlingen, Anton Bruckner, Eibe Möhlmann, Reinhard Geller, Daniel Sans, Christof Fischesser, Nicol Matt | D Major | 1 | 10B | 66 BPM | ||
Let us garlands bring, Op. 18: II. Who is Sylvia? | Gerald Finzi, Russell Braun, Manitoba Chamber Orchestra, Simon Streatfeild | D Major | 2 | 10B | 81 BPM | ||
Evening Service in G Minor, Z. 231: No. 2, Nunc dimittis | Henry Purcell, Trinity Hall Chapel Choir, Cambridge, Andrew Arthur | A Minor | 1 | 8A | 79 BPM | ||
Psalm 146, WAB 37: Solo and Chorus: Alleluja! Lobet den Herrn -Langsam | Anton Bruckner, Ania Vegry, Philharmonischer Chor München, Philharmonie Festiva, Gerd Schaller | A Major | 1 | 11B | 81 BPM |