"Орлеанская дева, действие I: No. 8, Финал "Но силы будут ли"" by Irina Arkhipova, Александра Фирстова, Большой хор Всесоюзного радио и Центрального телевидения, Gennady Rozhdestvensky, Геннадий Рождественский, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения had its release date on October 19, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Чайковский: Орлеанская дева, so we believe that "Орлеанская дева, действие I: No. 8, Финал "Но силы будут ли"" is a single. In terms of popularity, Орлеанская дева, действие I: No. 8, Финал "Но силы будут ли" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Орлеанская дева, действие I: No. 8, Финал "Но силы будут ли" by Irina Arkhipova, Александра Фирстова, Большой хор Всесоюзного радио и Центрального телевидения, Gennady Rozhdestvensky, Геннадий Рождественский, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1, Introduction | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Rundfunkchor Berlin | D Minor | 2 | 7A | 72 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Hear My Prayer (Da ispravitsya molitva moya) | Pavel Chesnokov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | B Minor | 1 | 10A | 79 BPM | ||
Il Barbiere di Siviglia: Finaletto II: Di sì felice innesto - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 95 BPM | ||
El Amor Brujo: Canción del fuego fátuo | Manuel de Falla, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | E Major | 1 | 12B | 0 BPM | ||
Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | F Major | 0 | 7B | 77 BPM | ||
Хованщина, действие III сцена 3: "Тяжкий, неискупимый грех" | Tatiana Tugarinova, Irina Arkhipova, Alexander Ognivtsev, Александр Огнивцев, Boris Khaikin, Борис Хайкин, Оркестр Большого театра | A♭ Major | 2 | 4B | 93 BPM | ||
Хованщина, действие I сцена 4: "Сжальтесь" | Tamara Sorokina, Vladislav Piavko, Irina Arkhipova, Boris Khaikin, Борис Хайкин, Оркестр Большого театра | D Major | 3 | 10B | 78 BPM | ||
Requiem aeternam: Tuba mirum | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | A Minor | 0 | 8A | 68 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 190 BPM |