Andrea Bellentani, Ulderico Zanni, Michele Centonze, Luciano Pavarotti, Stefano "Tellus" Nanni, Royal Philharmonic Orchestra's ' "Come aquile" was released on its scheduled release date, January 1, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Ti Adoro". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Come aquile is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Come aquile by Andrea Bellentani, Ulderico Zanni, Michele Centonze, Luciano Pavarotti, Stefano "Tellus" Nanni, Royal Philharmonic Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
L'Africaine / Act 4: Mi batte il cor...O Paradiso - Live | Giacomo Meyerbeer, Luciano Pavarotti, Orchestra dell'ater, Leone Magiera | F♯ Major | 2 | 2B | 80 BPM | ||
Neapolis | Carlo Mioli, Luciano Pavarotti, Giancarlo Chiaramello, Bulgarian Symphony Orchestra | B♭ Major | 5 | 6B | 136 BPM | ||
Amore Mio | Andrew Andraos, Budapest Scoring Orchestra, Shelby Lock | D♭ Major | 5 | 3B | 95 BPM | ||
'A vucchella - Live | Francesco Paolo Tosti, Luciano Pavarotti, John Wustman | F Major | 1 | 7B | 92 BPM | ||
La bohème - Italian Version | Charles Aznavour | F Minor | 5 | 4A | 68 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Andrea Chénier / Act 3: "La mamma morta" | Umberto Giordano, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | B Minor | 1 | 10A | 169 BPM | ||
I Hate You Then I Love You (Duet with Luciano Pavarotti) | Céline Dion, Luciano Pavarotti | D Major | 4 | 10B | 140 BPM | ||
Grande, Grande, Grande - 2001 Remaster | Mina | G Major | 4 | 9B | 96 BPM |