"Somewhere (From "West Side Story")" by Leonard Bernstein, Richard Tucker, Franz Allers was released on 1950. The duration of Somewhere (From "West Side Story") is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Somewhere (From "West Side Story")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 163 in the song's album "Richard Tucker: The Song and Cantorial Album Collection". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Somewhere (From "West Side Story") is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Somewhere (From "West Side Story") by Leonard Bernstein, Richard Tucker, Franz Allers having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Symphony No.25 In G Minor, K. 173dB (K.183): Allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | G Minor | 2 | 6A | 94 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Cuban Overture | New Zealand Symphony Orchestra, George Gershwin | E Minor | 2 | 9A | 94 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 119 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM |
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