- BPM
- 94
- Key
- E Minor
- Camelot
- 9A
Hobson's Choice (arr. C. Palmer): II. Willie and Maggie - Theme and Variations I - Malcolm Arnold, London Symphony Orchestra, Richard Hickox Information
- Acousticness
- 96%
- Danceability
- 14%
- Energy
- 6%
- Instrumentalness
- 88%
- Liveness
- 15%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -21.881 dB
Summary
"Hobson's Choice (arr. C. Palmer): II. Willie and Maggie - Theme and Variations I" by Malcolm Arnold, London Symphony Orchestra, Richard Hickox was released on November 1, 1992. With this song being about 5 minutes long, at 5:25, "Hobson's Choice (arr. C. Palmer): II. Willie and Maggie - Theme and Variations I" by Malcolm Arnold, London Symphony Orchestra, Richard Hickox is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 16 in Arnold, M.: Film Music, Vol. 1 by Malcolm Arnold, Richard Hickox. In terms of popularity, Hobson's Choice (arr. C. Palmer): II. Willie and Maggie - Theme and Variations I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Hobson's Choice (arr. C. Palmer): II. Willie and Maggie - Theme and Variations I BPM
The tempo marking of Hobson's Choice (arr. C. Palmer): II. Willie and Maggie - Theme and Variations I by Malcolm Arnold, London Symphony Orchestra, Richard Hickox is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Hobson's Choice (arr. C. Palmer): II. Willie and Maggie - Theme and Variations I Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lisbon "Dublin Bay" | Anonymous, Percy Grainger, J. Michael Holmes, Phil Pierick, Adam Hawthorne, Joyce Griggs, Jesse Dochnahl | B♭ Minor | 2 | 3A | 118 BPM | |
 | Fantasie for Flute and Piano by Gabriel Faure | Gabriel Fauré, Laurel Zucker, Richard Cionco | C Major | 1 | 8B | 90 BPM | |
 | Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | |
 | Trombone Concerto in B-Flat Major: I. Allegro vivace | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | B♭ Major | 1 | 6B | 139 BPM | |
 | Lullaby for string orchestra | George Gershwin, Cleveland Orchestra, Riccardo Chailly | G Major | 0 | 9B | 94 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Brook Green Suite: III. Dance | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 82 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | |
 | St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | |
 | Mesto | Malcolm Arnold | G Major | 4 | 9B | 132 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7582492828369141
End: 0.7646105289459229