Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura's 'Trombone Concerto in B-Flat Major: I. Allegro vivace' came out on September 30, 1997. The duration of Trombone Concerto in B-Flat Major: I. Allegro vivace is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Trombone Concerto in B-Flat Major: I. Allegro vivace's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Rimsky-Korsakov / Holst / Bourgeous: Trombone Concertos". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Trombone Concerto in B-Flat Major: I. Allegro vivace's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trombone Concerto in B-Flat Major: I. Allegro vivace by Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavorkna Fanfare | Jack Stamp, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 4 | 5A | 79 BPM | ||
Emperata Overture | Claude T. Smith, Taiwan Wind Ensemble, John P. Boyd | F Major | 2 | 7B | 69 BPM | ||
Suite of Old American Dances: I. Cake Walk | Robert Russell Bennett, Cincinnati Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 3 | 4B | 117 BPM | ||
Second Suite for Military Band, Op. 28 No. 2: III. Song of the Blacksmith | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | D Minor | 2 | 7A | 103 BPM | ||
La Danza | Gioachino Rossini, The London Horn Sound, Geoffrey Simon | F Minor | 2 | 4A | 145 BPM | ||
Armenian Dances: Part II: I. Hov Arek | Alfred Reed, Taiwan Wind Ensemble, John P. Boyd | A Minor | 1 | 8A | 128 BPM | ||
Concert Etude, Op. 49 - Arr. For Trumpet and Salon Orchestra | Alexander Goedicke, Matthias Höfs, Hamburg Philharmonic Soloists | G Minor | 3 | 6A | 152 BPM | ||
T-Bone Concerto | Joseph Alessi | D Minor | 1 | 7A | 78 BPM | ||
Cajun Folk Songs: II. Belle | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | C Major | 1 | 8B | 79 BPM | ||
Suite française : IV. Alsace-Lorraine | Gérard Besse, Denis Fourio, Big Band des équipages de la flotte de Toulon | D Minor | 1 | 7A | 114 BPM |
Section: 0.7198605537414551
End: 0.7233529090881348