"Concerto For Harpsichord, Strings, And Continuo No.5 In F Minor, BWV 1056 - Arranged by Wilhelm Kempff: Largo" by Johann Sebastian Bach, Wilhelm Kempff was released on January 1, 1994. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wilhelm Kempff Plays Bach. Transcriptions For Piano by Johann Sebastian Bach, Wilhelm Kempff. The song's track number on the album is #9 out of 60 tracks. Concerto For Harpsichord, Strings, And Continuo No.5 In F Minor, BWV 1056 - Arranged by Wilhelm Kempff: Largo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Concerto For Harpsichord, Strings, And Continuo No.5 In F Minor, BWV 1056 - Arranged by Wilhelm Kempff: Largo by Johann Sebastian Bach, Wilhelm Kempff has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Concerto For Harpsichord, Strings, And Continuo No.5 In F Minor, BWV 1056 - Arranged by Wilhelm Kempff: Largo being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.5 in D major BWV850 | Daniel Barenboim | D Major | 1 | 10B | 72 BPM | ||
Piano Sonata in C minor, H.XVI No.20: 1. Moderato | Joseph Haydn, Alfred Brendel | A♭ Minor | 1 | 1A | 74 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der Goltz | B♭ Minor | 1 | 3A | 69 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626) | Henry Purcell, Martin Stadtfeld | G Minor | 0 | 6A | 67 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM |
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