"Minkus / Arr. Lanchbery: Don Quixote: No. 12, Variation. Dryad's Mistresses - Remembrance of the Ball" by Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra was released on November 9, 2009. With Minkus / Arr. Lanchbery: Don Quixote: No. 12, Variation. Dryad's Mistresses - Remembrance of the Ball being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. Minkus / Arr. Lanchbery: Don Quixote: No. 12, Variation. Dryad's Mistresses - Remembrance of the Ball is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Minkus / Arr. Lanchbery: Don Quixote: No. 12, Variation. Dryad's Mistresses - Remembrance of the Ball by Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le pavillon d'Armide: Variation - Allegro - Moderato tranquillo - Vivace - Grave. Maestoso e molto sostenuto | Nikolai Tcherepnin, Moscow Symphony Orchestra, Henry Shek | E Major | 0 | 12B | 79 BPM | ||
Don Quixote: Act I: Street Dancer | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 0 | 10B | 100 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Don Quixote: Act I: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B Minor | 1 | 10A | 136 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Tempo di valse: Men's Variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 88 BPM | ||
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM |
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