Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) (Isolde)
Richard Wagner, Deborah Voigt, Vienna State Opera Orchestra, Christian Thielemann
Wagner: Tristan und Isolde
7:41 January 1, 2004
BPM
81
Key
B Major
Camelot
1B

Embed

Share Link

Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) (Isolde) - Richard Wagner, Deborah Voigt, Vienna State Opera Orchestra, Christian Thielemann Information

Acousticness
90%
Danceability
19%
Energy
14%
Instrumentalness
4%
Liveness
13%
Loudness
63%
Speechiness
5%
Valence
3%
Popularity
Loudness
-22.104 dB

Summary

"Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) (Isolde)" by Richard Wagner, Deborah Voigt, Vienna State Opera Orchestra, Christian Thielemann was released on January 1, 2004. Since Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) (Isolde) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Vienna State Opera Orchestra, Christian Thielemann. The song's track number on the album is #11 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) (Isolde) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) (Isolde) BPM

Since Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) (Isolde) by Richard Wagner, Deborah Voigt, Vienna State Opera Orchestra, Christian Thielemann has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) (Isolde) being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) (Isolde) Key

This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) by Igor Stravinsky, Teodor Currentzis, musicAeternaThe Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)Igor Stravinsky, Teodor Currentzis, musicAeternaD Minor57A136 BPM
The Hebrides, Op. 26 (Fingal's Cave) by Felix Mendelssohn, Wiener Philharmoniker, Christoph von DohnányiThe Hebrides, Op. 26 (Fingal's Cave)Felix Mendelssohn, Wiener Philharmoniker, Christoph von DohnányiA Minor38A96 BPM
Carmina Burana / Blanziflor et Helena: Carmina Burana / Blanziflor et Helena: "Ave formosissima"Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen JochumE Minor39A172 BPM
Offenbach: Les Brigands: Overture by Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de LyonOffenbach: Les Brigands: OvertureJacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de LyonE♭ Major25B89 BPM
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace by Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen GunzenhauserViolin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivaceJohannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen GunzenhauserF Major17B91 BPM
Oberon, J.306: Ouvertüre by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael KubelikOberon, J.306: OuvertüreCarl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael KubelikD Major110B131 BPM
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco by Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaTchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuocoPyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaF Minor44A78 BPM
Symphonie fantastique, Op. 14: II. Un bal by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: II. Un balHector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingA Major111B107 BPM
Prince Igor (Knyaz Igor): Overture by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharPrince Igor (Knyaz Igor): OvertureAlexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharG Minor26A71 BPM
Béatrice et Bénédict, Op. 27, H 138: Ouverture by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisBéatrice et Bénédict, Op. 27, H 138: OuvertureHector Berlioz, London Symphony Orchestra, Sir Colin DavisG Major09B101 BPM
ISRC
DEN960331229
Label
L-M Records/RCA Records

Section: 0.6255285739898682

End: 0.6298120021820068