The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer made "Phantasmagorilla? No! Phantasmagoria: Hey boy! This is the time" available on February 1, 2009. With Phantasmagorilla? No! Phantasmagoria: Hey boy! This is the time being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Phantasmagorilla? No! Phantasmagoria". In this album, this song's track order is #10. In terms of popularity, Phantasmagorilla? No! Phantasmagoria: Hey boy! This is the time is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Phantasmagorilla? No! Phantasmagoria: Hey boy! This is the time by The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Medium: Monica's Waltz | Gian Carlo Menotti, Patrice Michaels, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 1 | 6A | 169 BPM | ||
Choros No. 3, "Pica-Pau" | Heitor Villa-Lobos, Sergio Burgani, Marcos Pedroso, Wagner Polistchuck, Alexandre Silverio, Dante Yenque, Luciano Amaral, Samuel Hamzem, Orquestra Sinfônica do Estado de São Paulo, John Neschling | F Minor | 1 | 4A | 95 BPM | ||
Ain't No Grave Can Hold My Body Down | The National Lutheran Choir | D Minor | 2 | 7A | 122 BPM | ||
The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 13, I Went to Heaven | Leo Smit, Georgine Resick, Warren Jones | D Major | 1 | 10B | 76 BPM | ||
Peter and the Wolf, Op. 67: I. Introduction | Wiener Opernorchester | A Minor | 1 | 8A | 85 BPM | ||
Carmina Burana: III. Veris leta facies | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 127 BPM | ||
O mìo babbino caro from Gianni Schicchi | Giacomo Puccini, Kathleen Battle | A♭ Major | 0 | 4B | 72 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Keng-ca-fou, Mah-jong (The Chinese Cup, The Tea Pot) | Maurice Ravel, Delphine Galou, Jean-Paul Fouchécourt, Orchestre National De Lyon, Leonard Slatkin | D♭ Minor | 1 | 12A | 130 BPM | ||
Constellations, Act II Scene 3: One more layer to shed | Efraín Amaya, Arts Crossing Chamber Orchestra, Dan Kempson | G Minor | 4 | 6A | 95 BPM | ||
Adams: Nixon in China: Act I, Scene 2 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Major | 2 | 10B | 171 BPM |