"Peter and the Wolf, Op. 67: I. Introduction" by Wiener Opernorchester was released on October 17, 2006. The duration of Peter and the Wolf, Op. 67: I. Introduction is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Peter and the Wolf, Op. 67: I. Introduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Prokofiev: Peter and the Wolf, Lieutenant Kije Symphonic Suite". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Peter and the Wolf, Op. 67: I. Introduction is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter and the Wolf, Op. 67: I. Introduction by Wiener Opernorchester having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
I puritani / Act 1: "A te, o cara" | Vincenzo Bellini, Juan Diego Flórez, Ermonela Jaho, Nikola Mijailovic, Nicola Ulivieri, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | D Major | 2 | 10B | 76 BPM | ||
Rienzi / Act 1: Allmächt'ger Vater (Rienzi's prayer) | Richard Wagner, James King, Wiener Opernorchester, Dietfried Bernet | E♭ Minor | 4 | 2A | 175 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Suor Angelica: Senza mamma, o bimbo, tu sei morto | Giacomo Puccini, Felicia Weathers, Wiener Opernorchester, Argeo Quadri | D Minor | 1 | 7A | 177 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 12: No. 17, Aria. "Un'aura amorosa del nostro tesoro" (Ferrando) | Wolfgang Amadeus Mozart, Alfredo Kraus, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | A Major | 1 | 11B | 91 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
Peter and the Wolf, Op. 67: XII. The Hunters Arrive | Wiener Opernorchester | A♭ Major | 1 | 4B | 99 BPM | ||
Künstlerleben - Walzer | Wiener Opernorchester, Heinz Leithner | C Major | 3 | 8B | 62 BPM |