Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi's 'Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..."' came out on 2004. The duration of Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..."'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, René Jacobs's "Mozart: Le nozze di Figaro" album is number 2 out of 62. Based on our statistics, Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..."'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." by Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Magic Flute, K. 620, Act II: Moderato. Nur stille, stille, stille, stille | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | D Major | 1 | 10B | 95 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | F Minor | 1 | 4A | 175 BPM | ||
Die Zauberflöte, K.620 / Zweiter Aufzug: "O Isis und Osiris" | Wolfgang Amadeus Mozart, René Pape, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F Major | 0 | 7B | 136 BPM | ||
Don Giovanni: Atto Primo, Scena 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, René Jacobs, Freiburger Barockorchester, Lorenzo Regazzo, Johannes Weisser, Olga Pasichnyk | F Major | 3 | 7B | 102 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM | ||
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM |