"L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!"" by Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge was released on January 1, 1971. Since L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 30 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge. The popularity of L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" by Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge is Vivace (lively and fast), since this song has a tempo of 175 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In questa tomba oscura, WoO.133 | Ludwig van Beethoven, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D♭ Major | 1 | 3B | 88 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Minor | 1 | 3A | 135 BPM | ||
L'elisir d'amore / Act 2: "Dell'elisir mirabile" - "E bellissima" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Dame Joan Sutherland, Spiro Malas, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Minor | 2 | 5A | 92 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Rossini: Semiramide: Al tuo comando... - Arsace, Semiramide - Act One | Gioachino Rossini, Monica Sinclair, Dame Joan Sutherland | D Major | 4 | 10B | 68 BPM | ||
Les Sylphides: 3. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 110 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM | ||
Rossini: Semiramide: Giorno d'orrore - Semiramide, Arsace - Act Two | Gioachino Rossini, Dame Joan Sutherland, Monica Sinclair | D Major | 4 | 10B | 68 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM |