"Im Mondschein auf der Puszta" by Friedrich Nietzsche, Lauretta Altman was released on October 1, 1998. With Im Mondschein auf der Puszta being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Nietzsche: Music of Friedrich Nietzsche". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Canada. In terms of popularity, Im Mondschein auf der Puszta is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Im Mondschein auf der Puszta by Friedrich Nietzsche, Lauretta Altman having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Preludi Sopra Melodie Gregoriane, P. 131: III. Lento | Ottorino Respighi, Konstantin Scherbakov | F♯ Minor | 0 | 11A | 66 BPM | ||
Gnossiennes: No. 2 - Avec étonnement | Erik Satie, Pascal Rogé | D Minor | 0 | 7A | 67 BPM | ||
Del Leer y el Escribir | Friedrich Nietzsche | D Major | 2 | 10B | 99 BPM | ||
An die Entfernte, D. 765 (Arr. Schmalcz for Baritone and Chamber Orchestra) | Franz Schubert, Matthias Goerne, Deutsche Kammerphilharmonie Bremen, Florian Donderer | A Major | 1 | 11B | 102 BPM | ||
3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman | F Minor | 0 | 4A | 95 BPM | ||
Duo for Violin & Cello in C Major, BI. 242: II. Andante | Alessandro Rolla, Dora Bratchkova, Alina Kudelevič | A Minor | 0 | 8A | 103 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Chaconne in sol maggiore : Variazione 9 | Lazar Berman | G Minor | 0 | 6A | 66 BPM | ||
Lyric Pieces, Op. 54: No. 2, Norwegian March | Edvard Grieg, Håkon Austbø | B Minor | 0 | 10A | 136 BPM | ||
On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | G Major | 0 | 9B | 58 BPM |