"3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano)" by Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman was released on May 27, 2008. The duration of 3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) is about 3 minutes long, at 3:15. Based on our data, "3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 13 in Faure: Cello Sonatas Nos. 1 and 2 / Elegie / Romance by Gabriel Fauré, Maria Kliegel. In terms of popularity, 3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) by Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Apres un reve, Op. 7, No. 1 (arr. I. Sztankov): 3 Songs, Op. 7: No. 1. Apres un reve (arr. for double bass and piano) | Iván Sztankov, Gabriel Fauré, Erika Tóth | A Minor | 0 | 8A | 82 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
La Muse-Plantine: 19ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | D Minor | 1 | 7A | 126 BPM |