Alessandro Rolla, Dora Bratchkova, Alina Kudelevič's 'Duo for Violin & Cello in C Major, BI. 242: II. Andante' came out on November 1, 2003. The duration of Duo for Violin & Cello in C Major, BI. 242: II. Andante is about 3 minutes long, at 3:06. Based on our data, "Duo for Violin & Cello in C Major, BI. 242: II. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Rolla: 3 Duos for Violin & Cello". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Duo for Violin & Cello in C Major, BI. 242: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Duo for Violin & Cello in C Major, BI. 242: II. Andante by Alessandro Rolla, Dora Bratchkova, Alina Kudelevič having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in C Major, Kk. 465 | Domenico Scarlatti, Alon Goldstein | B♭ Minor | 0 | 3A | 76 BPM | ||
Overture in G Major, Op. 8, No. 5: III. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 2 | 9B | 68 BPM | ||
25 Études faciles et progressives, Op. 100: No. 16, Douce plainte | Franz Burgmüller, Carl Petersson | G Minor | 2 | 6A | 143 BPM | ||
アイネ・クライネ・ナハトムジーク K.525~第4楽章 | ベルリン室内管弦楽団 | G Major | 2 | 9B | 121 BPM | ||
Oboe Sonata, Op. 166: III. Molto allegro | Camille Saint-Saëns, Heinz Holliger, Anton Kernjak | E♭ Major | 0 | 5B | 66 BPM | ||
Duetto in B-Flat Major, Op. 13: I. Allegro | Alessandro Rolla, Isabelle Faust, Thomas Riebl | F Minor | 0 | 4A | 76 BPM | ||
String Quartet No. 2 in F Major, Op. 2 No. 2, BI 405: I. Allegro | Alessandro Rolla, Ruggero Marchesi, Roberto Ilacqua, Stefano Marcocchi, Jorge Daniel Rossi | A♭ Major | 1 | 4B | 124 BPM | ||
Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | G Minor | 2 | 6A | 137 BPM | ||
Keyboard Sonata in C Major, K.251/L.305/P.314 | Domenico Scarlatti, Carlo Grante | C Major | 2 | 8B | 136 BPM | ||
Haydn: String Quartet in B-Flat Major, Op. 76 No. 4, Hob. III:78 "Sunrise": I. Allegro con spirito | Joseph Haydn, Eder Quartett | B♭ Major | 1 | 6B | 138 BPM |