Tylman Susato, Early Music Consort Of London's 'Susato: 12 Dances from The Danserye: I. La Mourisque' came out on April 17, 2006. With Susato: 12 Dances from The Danserye: I. La Mourisque being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Various: Danseryes (Renaissance) by David Munrow. The song's track number on the album is #1 out of 35 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Susato: 12 Dances from The Danserye: I. La Mourisque is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Susato: 12 Dances from The Danserye: I. La Mourisque by Tylman Susato, Early Music Consort Of London has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Susato: 12 Dances from The Danserye: I. La Mourisque being at 87 テンポ, the half-time would be 44 テンポ with a double-time of 174 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danserye: VIII. Basse danse: Mon desire | Tylman Susato, Patrick Dunnigan, The University of Texas Wind Ensemble, Jerry Junkin | G Major | 0 | 9B | 95 BPM | ||
Courtly Masquing Ayres: No. 20 | John Adson, The Prague Brass Soloists | F Major | 2 | 7B | 181 BPM | ||
Music Of The Gothic Era - Notre Dame Period: Sederunt principes | Pérotin, Early Music Consort Of London, David Munrow | C Major | 3 | 8B | 114 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Fantasia 31 | Francesco da Milano, Shirley Rumsey | G Major | 0 | 9B | 145 BPM | ||
Che farala che dirala | Vincenzo Capirola, Christopher Wilson | F Minor | 0 | 4A | 97 BPM | ||
L'Orfeo, Favola in Musica (Opera en 5 Actes), SV 318 - Acte I, scène 1: Toccata | Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano | D♭ Major | 4 | 3B | 96 BPM | ||
Schiarazula Marazula | Pierre Phalèse the Elder, Pierre Phalèse, The King's Noyse, David Douglass | F Major | 3 | 7B | 125 BPM | ||
Ghizeghem / Arr. Agricola: De tous biens plaine (Three-Part Instrumental Version II) | Hayne van Ghizeghem, David Munrow, Early Music Consort Of London | G Minor | 0 | 6A | 97 BPM | ||
Horse's bransle | anon arr Alan Crumpler, Trinity Baroque, Julian Podger, Martin Pope, Steven Player, The Forbury Consort, The Holbein Consort, Alan Crumpler | A Minor | 0 | 8A | 129 BPM |