"Music Of The Gothic Era - Notre Dame Period: Sederunt principes" by Pérotin, Early Music Consort Of London, David Munrow was released on January 1, 1976. Music Of The Gothic Era - Notre Dame Period: Sederunt principes appears to be safe for all ages as it is not explicit. The track order of this song in Early Music Consort Of London, David Munrow's "Music of the Gothic Era" album is number 6 out of 39. In terms of popularity, Music Of The Gothic Era - Notre Dame Period: Sederunt principes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Music Of The Gothic Era - Notre Dame Period: Sederunt principes by Pérotin, Early Music Consort Of London, David Munrow to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem [in memoriam Josquin Desprez] à 6 voix: I. Introitus - Requiem aeternam | Jean Richafort, Huelgas Ensemble | F Major | 1 | 7B | 83 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
Officium | Zbigniew Preisner | G Minor | 1 | 6A | 83 BPM | ||
Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
Mors a primi patris / Mors que stimulo / Mors morsu nata venenato / Mors | Pérotin, La Reverdie | D Minor | 1 | 7A | 130 BPM | ||
Barber: Agnus Dei | Samuel Barber, Winchester Cathedral Choir, David Hill | B♭ Minor | 1 | 3A | 71 BPM | ||
Miserere, Op.44: 4. Domine Deus noster-Lento. Molto espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 1 | 9B | 80 BPM | ||
Intemerata Dei Mater | Johannes Ockeghem, Musica Ficta, Bo Holten | D♭ Minor | 2 | 12A | 110 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 127 BPM |