Pierre Phalèse the Elder, Pierre Phalèse, The King's Noyse, David Douglass made "Schiarazula Marazula" available on 1997. The duration of Schiarazula Marazula is about 3 minutes long, at 3:20. Based on our data, "Schiarazula Marazula" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The King's Noyse, Ellen Hargis, Paul O'Dette, David Douglass's "Le Jardin De Melodies: 16th Century French Dances & Songs" album is number 7 out of 27. On top of that, United States appears to be the country where this track was created. Based on our statistics, Schiarazula Marazula's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Schiarazula Marazula by Pierre Phalèse the Elder, Pierre Phalèse, The King's Noyse, David Douglass to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Minor: II. Alemanda | Martino Bitti, La Camerata de Paris | D♭ Minor | 1 | 12A | 69 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Byrd: Fantasia a 3 III | William Byrd, Fretwork | C Major | 0 | 8B | 66 BPM | ||
Concert en e mi la: V. Menüet | Francesco Corbetta, Simone Vallerotonda, Bor Zuljan | E♭ Minor | 1 | 2A | 103 BPM | ||
Poi che volse (Renaissance Lute) | Joan Ambrosio Dalza, Beatrice Pornon | G Minor | 0 | 6A | 74 BPM | ||
Corrente | Giovanni Paolo Foscarini, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 90 BPM | ||
Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Perceval la quete du Graal: The Arran boat | Sylvain Bergeron, La Nef | E Minor | 0 | 9A | 186 BPM | ||
Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM |