"Sonata in G Minor: II. Alemanda" by Martino Bitti, La Camerata de Paris was released on 2001. With Sonata in G Minor: II. Alemanda being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 27 in Baroque: Musique instrumentale baroque (Baroque Instrumental Music) by La Camerata de Paris. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Sonata in G Minor: II. Alemanda is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata in G Minor: II. Alemanda by Martino Bitti, La Camerata de Paris is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 4 in A Major, TalB SV12 "Dresden": V. Adagio | Martino Bitti, Kinga Ujszászi, Tom Foster | F♯ Minor | 3 | 11A | 97 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: II. Fantaisie | Marin Marais, Ensemble Amalia | E♭ Minor | 1 | 2A | 103 BPM | ||
Lute Sonata No. 11 in D Minor: II. Allemande | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Contrappunto Primo B.M. | Vincenzo Galilei, Massimo Lonardi | F Major | 0 | 7B | 137 BPM | ||
Fröhlich Geschrei | Oswald von Wolkenstein, La Camerata de Paris | A Minor | 1 | 8A | 69 BPM | ||
Ballade | Roi Richard Coeur de Lion, La Camerata de Paris | E Minor | 1 | 9A | 88 BPM | ||
Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
Winder wie ist nu | Neidhart von Reuental, La Camerata de Paris | E Major | 7 | 12B | 101 BPM | ||
The English Dancing Master: St. Paul's steeple | John Playford, The Broadside Band, Jeremy Barlow | G Minor | 1 | 6A | 98 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM |