"サイバーバード協奏曲 I. 彩の鳥 (Bird in Colors)" by Takashi Yoshimatsu, Andrea Battistoni, Tokyo Philharmonic Orchestra, Kohei Ueno, 山中惇史, Shun Ishiwaka was released on July 24, 2019. Since サイバーバード協奏曲 I. 彩の鳥 (Bird in Colors) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in [BEYOND THE STANDARD] ベートーヴェン:交響曲第5番 「運命」 / 吉松隆:サイバーバード協奏曲, so we believe that "サイバーバード協奏曲 I. 彩の鳥 (Bird in Colors)" is a single. サイバーバード協奏曲 I. 彩の鳥 (Bird in Colors) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of サイバーバード協奏曲 I. 彩の鳥 (Bird in Colors) by Takashi Yoshimatsu, Andrea Battistoni, Tokyo Philharmonic Orchestra, Kohei Ueno, 山中惇史, Shun Ishiwaka is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Alto Saxophone and Piano, Op. 19: II. With Tranquility | Paul Creston, Joseph Lulloff, Deborah Moriarty | A Major | 1 | 11B | 87 BPM | ||
Spring and Asura (Jin Kazama Version) | Dai Fujikura, Mao Fujita | D♭ Major | 1 | 3B | 92 BPM | ||
Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 89 BPM | ||
夢やぶれて~『レ・ミゼラブル』より | Tokyo Philharmonic Orchestra, Yasunao Ishida | B♭ Major | 2 | 6B | 168 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Varation 22 | Sergei Rachmaninoff, Kyohei Sorita, Andrea Battistoni, Tokyo Philharmonic Orchestra | B♭ Major | 3 | 6B | 169 BPM | ||
WE WILL | Hiromi, 馬場智章, Shun Ishiwaka | D♭ Major | 5 | 3B | 125 BPM | ||
アレグロ・タンガービレ | Astor Piazzolla, 宮田 大, 山中惇史, Verus String Quartet | A Minor | 2 | 8A | 108 BPM | ||
Ciudades: V. Köln | Guillermo Lago, Fukio Ensemble | D♭ Minor | 0 | 12A | 112 BPM | ||
carino es hola de un poco de ruido | mantekito loko | D Minor | 1 | 7A | 120 BPM | ||
You | Shun Ishiwaka, 角銅真実, 西田修大, Marty Holoubek, 松丸契, 市川航平 | A♭ Major | 5 | 4B | 106 BPM |