"Spring and Asura (Jin Kazama Version)" by Dai Fujikura, Mao Fujita was released on August 28, 2019. Spring and Asura (Jin Kazama Version) is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. Since Spring and Asura (Jin Kazama Version) only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Spring and Asura (Jin Kazama Version) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spring and Asura (Jin Kazama Version) by Dai Fujikura, Mao Fujita having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Islamey | Mily Balakirev, Jenő Jandó | A Major | 3 | 11B | 109 BPM | ||
Elf kurze Stücke: No. 11 in E Major | Anton Webern, Jean-Jacques Dünki | E Major | 0 | 12B | 74 BPM | ||
祈り | Shinya Kiyozuka | E Major | 0 | 12B | 65 BPM | ||
スケルツォ第2番 変ロ短調 Op. 31 | Frédéric Chopin, Mao Fujita | D♭ Major | 1 | 3B | 91 BPM | ||
Brahms - Op.116 No.6 Intermezzo E major | Elena Kuschnerova | E Major | 0 | 12B | 127 BPM | ||
エチュード 第3番 ホ長調 《別れの曲》作品10-3 | Fujiko Hemming | E Major | 2 | 12B | 72 BPM | ||
Vanishing Point | Dai Fujikura, Prague Modern, Pascal Gallois | B Minor | 2 | 10A | 141 BPM | ||
ピアノ・ソナタ第2番変ロ短調作品36 第2楽章: ノン・アレグロ〜レント - 1931年版 | Sergei Rachmaninoff, 角野隼斗 | E Minor | 0 | 9A | 105 BPM | ||
前奏曲嬰ハ短調<鐘>作品3の2(ラフマニノフ) | Sergei Rachmaninoff, Keisuke Toyama | F Minor | 0 | 4A | 110 BPM | ||
パガニーニの主題による狂詩曲 作品43: Rachmaninoff: パガニーニの主題による狂詩曲 作品43 - 第18変奏:Andante cantabile | Sergei Rachmaninoff, Tomoharu Ushida | E♭ Major | 1 | 5B | 179 BPM |