"Rhapsody on a Theme of Paganini, Op. 43: Varation 22" by Sergei Rachmaninoff, Kyohei Sorita, Andrea Battistoni, Tokyo Philharmonic Orchestra was released on November 23, 2016. With Rhapsody on a Theme of Paganini, Op. 43: Varation 22 being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Rachmaninov: Piano Concerto No. 2". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Japan. The popularity of Rhapsody on a Theme of Paganini, Op. 43: Varation 22 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Varation 22 by Sergei Rachmaninoff, Kyohei Sorita, Andrea Battistoni, Tokyo Philharmonic Orchestra having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Couperin, M. 68: V. Menuet - Instrumental | Maurice Ravel, Philadelphia Orchestra, Eugene Ormandy | G Major | 1 | 9B | 87 BPM | ||
Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Douze valses, Le ruban dénoué: No. 10, Les baisers | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | E Major | 0 | 12B | 164 BPM | ||
ヴァイオリン・ソナタ イ長調 IV- Allegretto poco mosso | César Franck, Jean-Jacques Kantorow, ジャック・ルヴィエ | D Major | 0 | 10B | 176 BPM | ||
Images, Book 2, L. 111: No. 3. Poissons d'or | Claude Debussy, Michael Korstick | G Major | 0 | 9B | 141 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (2) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des écoliers et des ribaudes | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
The Tempest, Op. 18: II. Allegro moderato | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | E Minor | 2 | 9A | 92 BPM | ||
交響曲 第2番 ニ短調 Op. 73 IV- Allegro con spirito | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | D♭ Major | 2 | 3B | 100 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 11, "Ein Tanz von Rübeln". Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos | E Major | 1 | 12B | 72 BPM |