Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan made "Symphony No.9 In D / 2. Satz: Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb" available on January 1, 1984. The duration of Symphony No.9 In D / 2. Satz: Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Symphony No.9 In D / 2. Satz: Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan's "Mahler: Symphony No.9" album is number 9 out of 30. In terms of popularity, Symphony No.9 In D / 2. Satz: Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No.9 In D / 2. Satz: Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb by Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Miraculous Mandarin, BB 82, Sz. 73 (Op.19): Sempre vivo: The Tramps Leap Out | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 77 BPM | ||
Rhapsody On A Theme Of Paganini, Op.43: Variation 7. Meno mosso, a tempo moderato | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 78 BPM | ||
Symphony No.1 in E minor, Op.1: 2. Andante tranquillo | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 1 | 8B | 64 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: IV. Eintritt in den Wald | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 71 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") | Gustav Mahler, Latonia Moore, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | F♯ Major | 0 | 2B | 78 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Pictures at an Exhibition: Promenade (II) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 139 BPM | ||
Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 4. Rondes printanières | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 61 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 2 | 11A | 150 BPM |