On January 11, 2010, the song "Clavier-Büchlein for Anna Magdalena Bach in G major, BWV Anh. 114. Menuet" was released by Catherine Mertens. With Clavier-Büchlein for Anna Magdalena Bach in G major, BWV Anh. 114. Menuet being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #8. Clavier-Büchlein for Anna Magdalena Bach in G major, BWV Anh. 114. Menuet is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Clavier-Büchlein for Anna Magdalena Bach in G major, BWV Anh. 114. Menuet by Catherine Mertens having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite N°1 in G major, BWV 1007: I. Prelude | Guy Danel | G Major | 1 | 9B | 123 BPM | ||
"L'Amour Est Un Oiseau Rebelle" (Habanera) from Carmen | The London Symphony Orchestra - Della Jones (Mezzo-Soprano), London Voices (Cond. Terry Edwards) | D Major | 1 | 10B | 75 BPM | ||
Invention "Two-part" No.1 in C major, BWV 772 | Catherine Mertens | A Minor | 2 | 8A | 82 BPM | ||
Chopin: 3 Waltzes, Op. 70: I. Molto vivace in G-Flat Major | Frédéric Chopin, Ingrid Fliter | A♭ Major | 0 | 4B | 70 BPM | ||
Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM | ||
Elgar: Chanson de Nuit et Chanson de Matin, Op. 15: II. Chanson de Matin (Orch. Elgar) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | D♭ Major | 4 | 3B | 172 BPM | ||
Incidental Music to "A Midsummer Night's Dream", Op.61: II. I. Scherzo After Act 1 | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | G Minor | 1 | 6A | 119 BPM | ||
Gavotte | Joseph Hellmesberger, Jr., Andris Nelsons, Wiener Philharmoniker | A Major | 1 | 11B | 141 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM | ||
Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Joakim Svenheden | A Minor | 5 | 8A | 93 BPM |