""L'Amour Est Un Oiseau Rebelle" (Habanera) from Carmen" by The London Symphony Orchestra - Della Jones (Mezzo-Soprano), London Voices (Cond. Terry Edwards) was released on January 11, 2010. With this song being about 5 minutes long, at 5:04, ""L'Amour Est Un Oiseau Rebelle" (Habanera) from Carmen" by The London Symphony Orchestra - Della Jones (Mezzo-Soprano), London Voices (Cond. Terry Edwards) is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #11. "L'Amour Est Un Oiseau Rebelle" (Habanera) from Carmen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "L'Amour Est Un Oiseau Rebelle" (Habanera) from Carmen by The London Symphony Orchestra - Della Jones (Mezzo-Soprano), London Voices (Cond. Terry Edwards) having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhäuser - Paris version / Act III: "Heil ! Heil! Der Gnade Wunder Heil!" | Richard Wagner, William Pell, Clemens Bieber, Andreas Schmidt, Kurt Rydl, Oskar Hillebrandt, Matti Salminen, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 74 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 79 BPM | ||
Karelia Suite, Op. 11: 1. Intermezzo (Moderato) | Jean Sibelius, Helsinki Radio Symphony Orchestra, Okko Kamu | E♭ Major | 3 | 5B | 95 BPM | ||
Cinderella, Op. 87: 12. Spring Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | D Major | 0 | 10B | 128 BPM | ||
Requiem, Op.48: 4. Pie Jesu | Gabriel Fauré, Kathleen Battle, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | E♭ Major | 0 | 5B | 89 BPM | ||
Lohengrin / Act III, WWV. 75: Prelude to Act III | Richard Wagner, Philadelphia Orchestra, Christian Thielemann | B Major | 1 | 1B | 72 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Allegretto: Adagio | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 133 BPM | ||
The Magic Flute, K. 620: Act II, No. 15. Aria: "In diesen heli'gen Hallen kennt man die Rache nicht" | Rundfunkorchester des Südwestfunks Baden-Baden | E Major | 1 | 12B | 94 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 9 Wedding March | Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner | C Major | 2 | 8B | 162 BPM |