"Tannhäuser - Paris version / Act III: "Heil ! Heil! Der Gnade Wunder Heil!"" by Richard Wagner, William Pell, Clemens Bieber, Andreas Schmidt, Kurt Rydl, Oskar Hillebrandt, Matti Salminen, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli was released on January 1, 1989. The duration of Tannhäuser - Paris version / Act III: "Heil ! Heil! Der Gnade Wunder Heil!" is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Tannhäuser - Paris version / Act III: "Heil ! Heil! Der Gnade Wunder Heil!"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Tannhäuser by Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli. The song's track number on the album is #11 out of 38 tracks. Tannhäuser - Paris version / Act III: "Heil ! Heil! Der Gnade Wunder Heil!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser - Paris version / Act III: "Heil ! Heil! Der Gnade Wunder Heil!" by Richard Wagner, William Pell, Clemens Bieber, Andreas Schmidt, Kurt Rydl, Oskar Hillebrandt, Matti Salminen, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Tannhäuser - Paris version / Act III: "Heil ! Heil! Der Gnade Wunder Heil!" being at 74 テンポ, the half-time would be 37 テンポ with a double-time of 148 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Turandot, Act 3: "Tu, che di gel sei cinta" (Turandot) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | E♭ Minor | 2 | 2A | 80 BPM | ||
Jenufa / Act 1: Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | A Major | 1 | 11B | 70 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 92 BPM | ||
Carmen / Act 1: Introduction: "Sur la place chacun passe" | Georges Bizet, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Major | 0 | 6B | 97 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Wagner: Lohengrin, Act 3: "Heil! König Heinrich!" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | F Minor | 0 | 4A | 83 BPM | ||
Rossini: l barbiere di Siviglia, Act 1: "Dunque io son" (Figaro, Rosina) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 1 | 9B | 124 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | D Major | 1 | 10B | 90 BPM |