Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra made "Incidental Music to "A Midsummer Night's Dream", Op.61: II. I. Scherzo After Act 1" available on July 1, 1992. With this song being about 5 minutes long, at 4:57, "Incidental Music to "A Midsummer Night's Dream", Op.61: II. I. Scherzo After Act 1" by Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra's "Mendlessohn: "A Midsummer Night's Dream" Complete Incidental Music" album is number 2 out of 12. In terms of popularity, Incidental Music to "A Midsummer Night's Dream", Op.61: II. I. Scherzo After Act 1 is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Incidental Music to "A Midsummer Night's Dream", Op.61: II. I. Scherzo After Act 1 by Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 119 テンポ, a half-time of 60テンポ, and a double-time of 238 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sextet for Piano and Strings in D Major, Op. 110: II. Adagio | Felix Mendelssohn, Andra Darzins, Wolfgang Wagner, Bartholdy Piano Quartet | F♯ Major | 0 | 2B | 113 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": II. Adagio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | A Major | 0 | 11B | 76 BPM | ||
Concerto for Violin and Cello in A minor, Op. 102: 3. Vivace non troppo - Poco meno allegro - Tempo I | Johannes Brahms, Anne-Sophie Mutter, Antonio Meneses, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 81 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Eugene Onegin (continued) (Act 3): Polonaise | Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov | G Major | 1 | 9B | 206 BPM | ||
Intermezzo, Op. 72, TrV 246a, 4 Symphonic Interludes: Intermezzo, Op. 72, TrV 246a: Träumerei am Kamin (Dreaming by the Fireside) | Richard Strauss, Orchestre Philharmonique De Strasbourg, Marc Albrecht | A♭ Major | 0 | 4B | 140 BPM | ||
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM |