Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer made "Symphony No. 2 in C Major, Hob. I:2: I. Allegro" available on November 1, 2014. The duration of Symphony No. 2 in C Major, Hob. I:2: I. Allegro is about 3 minutes long, at 3:21. Based on our data, "Symphony No. 2 in C Major, Hob. I:2: I. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer's "Haydn Edition, Vol. 1" album is number 4 out of 173. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Symphony No. 2 in C Major, Hob. I:2: I. Allegro's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No. 2 in C Major, Hob. I:2: I. Allegro by Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Symphony No. 26 in C Minor: II. Andante arioso | Johannes Matthias Sperger, L'Arte del mondo, Werner Ehrhardt | A♭ Major | 0 | 4B | 112 BPM | ||
Mendelssohn: Concert Piece No. 2 in D Minor, Op. 114, MWV Q24: I. Presto | Felix Mendelssohn, Sabine Meyer, Wolfgang Meyer, Kenneth Sillito, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 116 BPM | ||
Beethoven: String Quartet No. 2 in G Major, Op. 18 No. 2: I. Allegro | Ludwig van Beethoven, Alban Berg Quartett | B♭ Minor | 2 | 3A | 85 BPM | ||
String Quartet No.5 in E Flat Major, Hob.II:6 (Op.1 No.0): 3. Adagio | Franz Joseph Haydn, The Angeles String Quartet | B♭ Major | 1 | 6B | 114 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 86 BPM | ||
Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
Symphony No.10 in F Major, Op.35, No.4, G.512: 1. Allegro assai | Luigi Boccherini, Academy of Ancient Music, Christopher Hogwood | E Minor | 2 | 9A | 149 BPM | ||
Der Fischer und das Milchmädchen: XVI. Andante agitato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM |