"Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei" by Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick was released on September 29, 2009. The duration of Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Owen Burdick, Rebel Baroque Orchestra's "Haydn, J.: Masses (Complete) (Trinity Choir, Rebel Baroque Orchestra, Burdick, Glover) (8 Cd Box Set)" album is number 23 out of 157. On top of that, Hong Kong appears to be the country where this track was created. Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei by Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
La Sonnambula / Act 2: Ah, non credea mirarti | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A Minor | 1 | 8A | 109 BPM | ||
Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 3, Nicht schnell | Robert Schumann, Albrecht Mayer, Markus Becker | A Minor | 0 | 8A | 169 BPM | ||
Concerto for Strings in G Major, RV 151 "Alla rustica": II. Adagio | Antonio Vivaldi, Rebel Baroque Orchestra, Jorg-Michael Schwarz | B Major | 2 | 1B | 110 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F Major | 2 | 7B | 81 BPM | ||
Harmonia artificiosa-ariosa, Partita No. 3 in A Major, C. 64: II. Allamande | Heinrich Ignaz Franz von Biber, Rebel Baroque Orchestra, Jorg-Michael Schwarz | A♭ Major | 2 | 4B | 95 BPM | ||
Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 84 BPM | ||
Concerto for 2 Violins in G Major, TWV 52:G1: I. Grave | Georg Philipp Telemann, Rebel Baroque Orchestra, Jorg-Michael Schwarz | B♭ Major | 1 | 6B | 86 BPM | ||
Four Pieces for String Quartet, Op. 81, MWV R 35: III. Capriccio | Felix Mendelssohn, Emerson String Quartet | F Minor | 2 | 4A | 107 BPM |