"Harmonia artificiosa-ariosa, Partita No. 3 in A Major, C. 64: II. Allamande" by Heinrich Ignaz Franz von Biber, Rebel Baroque Orchestra, Jorg-Michael Schwarz was released on December 1, 2006. The duration of Harmonia artificiosa-ariosa, Partita No. 3 in A Major, C. 64: II. Allamande is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Harmonia artificiosa-ariosa, Partita No. 3 in A Major, C. 64: II. Allamande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 31 in Biber: Harmonia artificiosa-ariosa, Partita Nos. 1-6 by Heinrich Ignaz Franz von Biber, Rebel Baroque Orchestra, Jorg-Michael Schwarz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Harmonia artificiosa-ariosa, Partita No. 3 in A Major, C. 64: II. Allamande is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harmonia artificiosa-ariosa, Partita No. 3 in A Major, C. 64: II. Allamande by Heinrich Ignaz Franz von Biber, Rebel Baroque Orchestra, Jorg-Michael Schwarz is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: V. Allegro | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | B Minor | 1 | 10A | 183 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
Trio Sonata in F Major, TWV 42:F6: I. Vivace | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Major | 0 | 9B | 119 BPM | ||
Oboe Concerto in F Minor, TWV 51:f2: II. Largo | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 1 | 9A | 81 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Sonata Accademica IX, Op.2: Un poco andante et affettuoso | Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM |