On March 27, 2012, the song "Phaëton, LWV 61: Air pour les Égyptiens "L'ete"" was released by Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon. With Phaëton, LWV 61: Air pour les Égyptiens "L'ete" being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Galileo Project: Music of the Spheres". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Canada. Based on our statistics, Phaëton, LWV 61: Air pour les Égyptiens "L'ete"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Phaëton, LWV 61: Air pour les Égyptiens "L'ete" by Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen, Z. 629 / Act 1: Rondeau | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Improvisations sur les folies d'Espagne (extraits) (Marin Marais) | Marin Marais, Jordi Savall | B Major | 1 | 1B | 59 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Alceste, LWV 50: Marche des Assiégeants (1674) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 4 | 7B | 103 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Chaconne des Scaramouches, Trivelins et Arlequins (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 2 | 7B | 64 BPM | ||
Isis, LWV 54: Act IV, Voyages et métamorphoses: Tôt tôt tôt… | Jean-Baptiste Lully, Marc Mauillon, Edwin Crossley-Mercer, Les Pages et les Chantres du Centre de Musique Baroque de Versailles, Les Symphonistes du Centre de Musique Baroque de Versailles, Musica Florea, Olivier Schneebeli | F♯ Minor | 1 | 11A | 81 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM |