Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations made "Alceste, LWV 50: Marche des Assiégeants (1674)" available on January 1, 1999. With Alceste, LWV 50: Marche des Assiégeants (1674) being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Jordi Savall's "Jean-Baptiste Lully: L'orchestre du Roi Soleil" album is number 30 out of 31. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Alceste, LWV 50: Marche des Assiégeants (1674) is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Alceste, LWV 50: Marche des Assiégeants (1674) by Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantaisie en Mi mineur (Arrangement Jordi Savall d'après Mr. de Sainte Colombe le fils) | Monsieur de Sainte-Colombe, Jordi Savall | E♭ Minor | 0 | 2A | 61 BPM | ||
Xerxes Ballet: Air pour les postures de Scaramouche | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 1 | 4B | 68 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Motet: Parce, Domine | Heinrich Isaac, Jordi Savall | A Minor | 1 | 8A | 100 BPM | ||
Magnificat en ré majeur, BWV 243: VII. Fecit potentiam | Johann Sebastian Bach, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 5 | 3B | 189 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e continuo (Re Minore, RV 565): IV. Allegro | Antonio Vivaldi, Jordi Savall, Luca Guglielmi, Manfredo Kraemer, Pablo Valetti, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Allegro Maestoso | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 1 | 11B | 147 BPM | ||
Armide, LWV 71, Act IV Scene 3: Je tourne en vain les yeux (Ubalde, le Chevalier danois) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Virgile Ancely, David Tricou | G Minor | 2 | 6A | 84 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Ouverture No. 3, BWV 1068: II. Air | Johann Sebastian Bach, Jordi Savall | D♭ Major | 0 | 3B | 97 BPM |